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Kamis, 18 November 2010

KIYOMIZUDERA, THE TEMPLE OF PURE WATER


VERSIÓN EN ESPAÑOL

Kiyomizu dera or Pure Water Temple (清水寺), located in the Higashiyama mountains east of Kyoto, is one of the most impressive and famous building complexes of traditional Japan. A UNESCO World Heritage site since 1994, it was one of the 21 candidates in the New Seven Wonders of the World international poll.

The history of Kiyomizu dera (dera means Buddhist temple, while ji implies a Shinto shrine jinja) is more ancient than Kyoto itself. According to the legend, in 778 Enchin, a monk from Nara, inspired by a dream followed the path of a limpid stream until a crystalline waterfall by the Otowa hillside and in that place he built a shrine in honor of Kannon, the female deity of goodness. Two years later, in 780, the famous general Sakanoue Tamuramaro walked by the place after hunting a deer for his pregnant wife, because at that time it was believed that the deer blood was good for fertility. Enchin severely reprimanded Tamuramaro for killing the animal, so the repented general built a temple in honor of the pure water from the waterfall, which he called Kiyo Mizu which was finished in 798. The original building lasted until 1629 when it was destroyed by a fire, being rebuilt in 1633. Today there are still several areas where that restoration can be seen.


Leading up to the temple, which sits on top of the hill, there are attractive walkways, stoic survivors of the fire that in 1864 destroyed the 80% of Kyoto, the Second World War and the development of post-war modernity who has destroyed rich historical legacy. These narrow, steep alleyways, called Ninen-zaka and Sannen zaka are authentic examples of traditional urban setting in ancient Japanese cities, with two-storey houses called machiya located in the rear. Both streets meet in another passage, the Kiyomizu-zaka (their names mean "slopes of two and three years” respectively, and owe their name to the superstition that if one stumbles on Ninen-saka one will have two years of bad luck, while if one does so in Sanne-zaka it will be three years). Kiyomizu-zaka, continues its ascent to the temple offering interesting perspectives to the visitor, and of course, numerous shops which offer, among others, the famous school of ceramics Kiyomizu-yaki .


At the end of the narrow passage, the vista is opened to show a broad view of Kiyomizu Temple. The composition of the successive and terraced elements, together with stairs and platforms, gives a magnificent and imposing character to the entrance.


Kiyomizu dera complex consists of a dozen buildings, the largest of which we discuss below:


Nio-mon
Set in an atrium, the Gate of the two Kings is a two-storey block with a cypress bark roof, built in 1478. On both sides there are two separate kings and two lions koma-inu, to protect the temple from evil spirits.


Sai-mon
Following up another set of stairs is the so called Eastern Gate another two-story building painted in vermilion and white (symbolizing a reference to its Chinese Buddhist roots), covered with a cypress ceiling supported by eight columns. It was built in 1607 in the elaborate style of the Momoyama period.

Shoro Shoreor the bell tower.
It is located to the left of Sai-mon, and although it was built in 1596, the bell was cast in 1478.


Sanju no to It is a 3-story pagoda located east of Sai-mon. It is the tallest 3-story pagoda in Japan. In the distance, it dominates the skyline with its graceful and slender profile; up close, is notable for its fine details and decoration.


Behind the pagoda, there is a series of smaller buildings not usually open to the public, such as a library Kyodo Sutra, which holds sacred Buddhist texts, the Kaiser-do (Hall of the Founder) which contains colored figures and the Todoroki-mon or central door, with similar characteristics to the doors above mentioned. A Japanese contribution to the temples imported from China is the inclusion of a fountain as a purifying element, and in the case of Kiyomizu dera takes the form of a dragon throwing water from the mouth.


Asakura-do
A room donated by Asakura Sadakaga in 1633, which contains a statue of Kannon of 11 faces and a stone representing the footprints of the Buddha. The building is placed on a stone base and surrounded by a railing.


Hon-do
It is the main and more representative building of Kiyomizu dera.


It is a structure of 58 mx 27 m, towering over a ravine and supported by 139 wooden columns, which measure up to 15 meters high. Interestingly, these piles are placed on stone bases, without proper foundation. The columns support a large terrace that served as a stage for dance performances, and in both sides there are roofed galleries where the orchestras of monks used to be located.

3D Image by Carlos Zeballos.


Section of the Hon-do. Source Architectural Map of Kyoto
It contains the two shrines. One external or gejin,made of a wooden floor and simple ornament which boasts an outstanding view, and another internal or naijin,with stone floor and prolific in interior decoration.

3D Image Carlos Zeballos.
View of the Gejin. The Naijin can be seen to the left.
The huge roof of the hall reaches 16 m high and cantilevers over the terrace. Unlike other Japanese temples whose roofs are covered with tiles, the Hon-do’s roof is covered with cypress shingles. It is flanked by lower roofs on the sides, and one of them protrudes on the east side, called mokoshi.

3D Image Carlos Zeballos.
It follows a series of smaller buildings, arranged in L-shape layout in front of the ravine, most notably the Okuno-in, the place where the first chapel was built and, because of its terrace, it enjoys a privileged location to see the Hon-do and the southern area of the city of Kyoto.


Otowa no taki
About 15 meters below the level of theOkuno is the waterfall that gave its name and the origin of the temple. The "waterfall of the sound of feathers " runs through three channels of stone. It is said to have healing powers, so it is common to see cues of Japanese drinking from its waters. Because of its location in the heart of the gorge it is protected by nature and architecture as the symbolic center of the temple.


Koyasu-no-to
This is another pagoda, located south of the complex, and that can be seen from the Hon-do, emerging from the trees.

Some experts, such as David and Michiko Young, have associated the form of the Japanese and Chinese pagodas with the stupas in India.

An interesting journey

One aspect that caught my attention when visiting the Kiyomizu dera was the appealing approach that accompanies the visitor from his ascension to Ninna-zaka- or Sansen zaka. The narrow, winding passages encourage the visitor to follow a sort of unique pilgrimage. Once in the temple, the buildings are placed leading the visitor through a series of spaces, channels and halls, which are brilliantly arranged undergoing changes of scale and openness, ranging from the enclosed spaces to the exposed ones. This combination of mass and open spaces frames the breathtaking scenery of the city from the top of the hill.

Aerial view taken from "The Urban Space of Japan"

The integration of the building to the topography offers the visitors numerous vistas ranging from climbing to a panoramic viewpoint, entering a thick forest, establishing contact with the water of the waterfall or enjoying the exquisite view of a garden organized around a pond.

Photo courtesy of Tobias Wittig

The integration of architecture with the landscape is remarkable, not only by the materials used and the spatial flow within the buildings , but because of the form of the coverings, which simulates the visual continuity of the mountain. As a counterpoint to the mass of temples of pyramidal roofs, the verticality and slenderness of the pagodas contrasts with the profile of the forested mountain.


Some Final Anecdotes
This traditional temple is also the subject of several anecdotal occurrences that I would briefly comment.
- During the Edo period , many people used to jump from the terrace of the Hon-do, as an act of courage. In fact, of 234 jumps, over 85% survived the fall on the trees. From there comes the Japanese proverb "to jump from the terrace of Kiyomizu dera" in order to refer to a glorious act or of much value.
- - It is said that in the eighth century a pregnant woman came to pray at the pagoda Koyasu-no-to and the baby turned out to be the Empress Kokko, making it a favorite place to visit for pregnant women.
- As mentioned, it is said that drinking water from the waterfall Otowa no taki is good for health, success and longevity studies, but water only should be drink from one of the waterfalls, because if you take the three effects are the opposite as divine punishment for greed.
- North of the temple is the Jishu shrine where there are a couple of stones called Mekura ishi, separated from each other by about 20 meters. It is said one has to walk from one stone to another with the eyes closed, repeating the name of his/her beloved one. If you get to the correct destination, it will ensure a happy love life, if not... it is better to find another partner ...

Photo by MykReeve


With Dominican architect Juan Tineo, enjoying a beer next to the waterfall

Selasa, 15 Juni 2010

KURAMA, THE BATHS IN THE SACRED MOUNTAIN

VERSIÓN EN ESPAÑOL
Japan is a mountainous country with high volcanic activity, and therefore it is common to find hot springs called onsen (温泉). But beyond a purely geological phenomenon in Japan onsen are part of an ancient cultural tradition, an intimate relationship between man and nature, frequently framed by architecture.

As Suehiro Tanemura mentions, the first users of the thermal baths were the gods.
According to the Guide to the seven hot springs, "before the ancestors descended from heaven, the gods Oonamuchi and Sukuna-Hikone reigned the Central Land and the Reed Plains. Commiserating for the short life of humans, they established methods to relieve their ailments: the medicine, abstinence and the thermal baths. "

Thus, the onsen were used primarily as a form of archaic medicine. It was common to find hot springs to alleviate, for example, wounded soldiers, and this practice spread even during the Second World War. Their privileged location in the heart of the mountains also allowed to experience the healing properties of mineral waters, while establishing a close contact with nature.


Today onsen are one of the greatest tourist attractions in Japan, as they relief stress from work and they welcome, stripped from all clothing, people from every social strata: managers and salarymen, rich and poor, young and old, men and women ... Men and women?! Well, until a few years ago yes, it was common, but now almost all onsen baths are gender differentiated.

Mount Kurama, located 12 km north of Kyoto is a prime setting for an onsen, set among wooded slopes thickly covered with cypress trees.


THE TEMPLE OF KURAMA

Mount Kurama has been important for the people of Kyoto from its founding in the late eighth century up to today.



The Kurama temple dates from 770 and was built by the monk Gantei as guardian of the north of the newly founded city of Kyoo Heian (now Kyoto).

Niomon (Gate of the Guardians) at the entrance of the temple.

In fact, it is a complex made of multiple religious buildings scattered on the mountain. The road follows the ascent of the pilgrim, often flanked by lanterns or stone steles engraved with prayers, and eventually offers spaces for relaxation from where is possible to contemplate breathtaking views of the city.


Although this temple originally belonged to the Tendai sect, the temple of Kurama is today the headquarters of the Buddhist sect Kurama Kyoo.


Every October 22 one of the most popular events in Kyoto is held at Mount Kurama, the festival of fire or Hi Matsuri, a celebration to welcome the deity of Kurama. At 6 pm hundreds of torches populate the vicinity of the temple of Yuki jinja, especially giant torches over 3 meters high, made of pine and about 80 kg each. The procession of giant torches carried by men half naked, dressed as old warriors, attracts tens of thousands of visitors.



Mount Kurama is also the birthplace of the Reiki, a practice of spiritual healing with the laying on of hands, created at the beginning of the twentieth century. The story goes that its founder, Master Usui, went into the mountains and after 21 days of deep meditation and fasting had an enlightenment. He was so excited about his experience that rushed down the mountain and at some point stumbled and fell, hurting himself. He instinctively put his hands on the wound, which healed quickly. So he discovered his ability to heal, and spent the next four years perfecting his philosophy of self-help and healing.

Dr. Mikao Usui

THE ONSEN AT KURAMA

But, as we said, Mount Kurama is also known for its onsen which can be enjoyed during the spring with cherry blossoms, in summer, escaping the heat of Kyoto, or fall, immersed in a landscape dotted with red and yellow maple leaves. But this time we decided to visit in winter, on a day when some flakes of snow fell on the city, melting as soon as they made contact with the earth. In just 20 minutes on the train ride the landscape changed completely as we climb towards Kurama the trees are covered with thick snow.


Upon reaching the station, we met a huge long-nose mask representing Tengu, the mythical god who lives on top of Mount Kurama, and who possesses supernatural powers, a deceptive sense of humor and extraordinary martial skills. Because of that he has been the main character in numerous stories and legends. As Lucy Moss mentions, one of the most famous ancient legends tells how the King of Tengu, the old Sojobo coached the XII century hero Yoshitsune Minamoto in the art of fencing, martial arts and military strategy.


The Kurama baths are located just a few minutes from the station, and we approach at the place through a winding path of stone, which blends with the natural character of the site.


The baths for men and women are differentiated by a small curtain, called noren. Usually, subtle details like these are sufficient to determine the public or private character of the spaces.


Once inside and after taking off the shoes and then the rest of the clothes, the bather must first washed himself or herself with soap in the showers specially prepared for that purpose. It is against the custom to enter the onsen without having previously take a shower.


Once these preparations are completed, it is possible to enjoy a spectacular open-air bath (otemburo), gliding noiselessly over the hot water. It is not advisable to attempt a double mortal jump, as the possibility of a fracture may involve a serious problem of social discrimination: blood in the water would imply an unacceptable impurity.
Moreover, the idea is part of a bucolic experience, in awe before the gray landscape, lulled by the gentle murmur of water, semi-levitating between vapor and fog, while snow flakes play over our heads ... a healthy and wonderfully relaxing experience ...


To see a video of our visit, click here





SEE ALSO:

- JAPANESE TRADITIONAL ARCHITECTURE
My name is Neo ..

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